The use of discarded, found and multiples of objects is a fundamental element of Carrington’s practice. All objects are saturated with cultural meaning, which, as an artist she seeks to explore, unravel and investigate.. Mundane objects like knives and forks, barbed wire, pins and paintbrushes come with their own readymade histories and associations which can be unravelled and analysed if rearranged, distorted or realigned to give them new meaning as sculpture.
